Du jour modern family troga
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Authors such as Shapiro (2003) have focused their research on understanding how the development of popular music itself has brought new trends in drug use. It is from the observation and analysis of these activities that several authors have concluded that young people tend to develop and engage in various risk behaviours (Vuolo & Uggen, 2005 Vuolo et al., 2013 Primack et al., 2008 Mulder et al., 2009 Mulder et al., 2010 Guerra et al., 2016).
#Du jour modern family troga series#
“(…) rock performances have come to be associated, within the popular imagination, with a whole series of disturbances and disorders, from cinema seats destroyed by the hand of Teddy Boys, through Beatlemania, to hippie events and festivals, in which freedom was expressed less aggressively, through nudism, drugs and generalised spontaneity” (Hebdige, 2004, p. 216).ĤWhen focusing our attention on the analysis of youth cultures within a contemporary context, the emphasis is necessarily on the daily activities in which young people are involved. This premise has been and continues to be the subject of study of different researchers, notably by Hebdige (2004), who argued that It is also a necessary part of understanding how psychotropic consumption practices and sexual attitudes are apprehended and represented by young people (Frith & McRobbie, 1978). Therefore, understanding the relationship between rock music, psychedelia and sexuality is not just an academic exercise. In fact, “since its beginnings, rock culture has been associated with excesses (celebrated by the aphorism, sex, drugs and rock ́n ́roll)” (Guerra, 2010, p. 115).
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Therefore we consider the social representations/reconstructions conveyed by actors of the national rock scene, concerning consumption, sexuality, and lifestyle. Based on this centrality of rock in life, Paula Guerra (2015) considers it an absolute beginner, in the sense that the emergence of this musical genre entailed a rupture with the standards that were socially established, namely through the dissemination of the legendary epitome ‘sex, drugs and rock'n'roll’ 1.ĢIn this article, we intend to problematize and deconstruct this epitome that marked and still marks rock'n'roll since its emergence in the Anglo-American context, today globally transposed, constructed, and reconstructed.
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In other words, this music genre is deeply rooted in the everyday life of individuals, particularly young people. 1 This article results from the research work developed between 20 that lead to the doctor (.)ġ“Today, there is no doubt for anyone that rock music dominates all other cultural phenomena worldwide” (Paraire, 1992, p. 9).